Compilation, previously unreleased work from Finis Africae together with the reissue of their first album "Prima Travesía". A deep trip of the roots of organic ambient with the seminal Spanish band.

Since 2018 João Pais Filipe (on drums) and Burnt Friedman (electronics/synth) investigate into automatic pattern–composition rooted in doubling and halving; the unimpeachable laws of motion.

Industrial Electroincs

With hopeless optimism, LMM continues the search for meaning and identity in his perpetual mystery, a self annihilating whodunit...

Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum

Rhythm clusters and constellations.

Proper darkside pressure from Pessimist, invoking the technoid spirits of Dom & Roland, the ruggedness of RZA, and bleakness of Brummie techno for Berceuse Heroique.

Mysterious “married outlaws” Low Budget Aliens firm up a killer sort of (I)DeMaterialised spin on drill, jungle, footwork and ruff bass sound for D. Tiffany and uon’s XPQ? label

The visionary approach of multi-instrumentalist Johnny Lamas led him to experiment with a world of hybrid jazz-funk, ambient and electronic sounds while keeping the rhythms of Venezuelan traditional music alive.

Culminating at 430m of altitude, mount Aïdour has been looking over the city of Oran for centuries

Let the guessing games begin with a 3rd and final instalment of Light Sounds Dark's 'Crossed Wires' series stuffed with pulsing minimal wave, industrial scuzz, ambient vapours and fizzing synth-pop melodies.

The first Huerco S. album in 6 years, Plonk’s world does not wholly resemble anything Brian Leeds has made under any alias

The final release on the Rhythm & Sound label, now over two decades old and still unfathomably deep.

Perl​é​e de s​è​ve is Métayer’s second full length, a sophomore to the critically acclaimed Éclipse Des Ocelles, where Métayer continues to sonically realize the map of the fictional habitats that inhabit her mind.

Twenty minutes of startlingly original music, with Shackleton the maestro at the top of his game, and a characteristically evilous dub by Mark Ernestus. Mastered by Rashad Becker; handsomely sleeved.

The second entry on Dance Data is the debut album by Izapa, also known to some as Andrew Felix

From the LP "Colored Music", first time on 45, both tracks are re-edited by Chee Shimizu from Discossession.

Yu Asaeda to his mum, Ena to you and I, has been steadily coursing his own path between the shared contours and patterns of techno, electronica and D&B minimalism for the likes of 7even Recordings, Samurai Horo and Hidden Hawaii since 2008. With Distillation, he presents his purest reduction of his ...

A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.

Flora Yin Wong returns with a stunning, highly evocative second album for Modern Love, manifesting her instrumental storytelling in a syncretic bind of supernatural themes. Where her debut album ‘Holy Palm’ catalogued exotic personal and spiritual travels captured over a 6 year period, ‘Cold R...

For the second installment in their 12” series Music From Memory present two deeply forward thinking electronic tracks from British musician Michal Turtle made between 1983-4.

Experiences Limited, now 3XL, with a sick new LP from Exael on a highly atmospheric ambient jungle tip, deploying 30 mins of percussive spasms seeping into smoked-out zoners - highly tipped if yr into anything from Lee Gamble to Malibu.

Remember that insane 110 track album from Voice Actor, our number 2 Album of The Year 2022 and one of the most impressive debuts of recent years? We've been asked constantly if there was gonna be a physical edition and - finally - here it is, a 16 track version compiled by Voice Actor and Stroom, complete with updated versions of familiar tracks plus 3 brand new songs. If you've no clue what/who we're talking about and yr into anything from Hype Williams to Broadcast, Dean Blunt to Donna Regina, Klein to Mica Levi, just do yourselves a huge favour and cop this now, thank us later.

Super deep n’ rolling ambient junglist mutations from hyped cloakroom attendent Florian T M Zeisig and mysterious XPQ? operator PVAS, uniting under the NUG moniker for a highly atmospheric session beamed directly from that short-lived, elusive sweetspot in the mid 90’s when Omni Trio and DJ Crystl collided with Mo Wax’s Some Scientific Abstract Type Shit! and Gescom’s Disengage, all red lights dappling thru a dense fog of smoke.

Outer rim junkyard Elektro.

Philip Sherburne & Albert Salinas’ nascent label, Balmat embrace Nueen’s shimmering ambient pads and FM synthesis for its fourth release of ambient romance edging onto backroom dance music.

Men of many monikers Jordan Czamanski and William Thomas Burnett cover a spectrum of styles with the rapidfire rhythmelodies, choral synths and dank ambience of ‘Setting The Scene For An Island Battle’

Following in the wake of their second album 'Meant Like This', Rezzett drop a follow up EP on The Trilogy Tapes named 'Boshly' - packing four Helter Skelter tipped tracks further exploring their adoration for UK Rave, Hardcore and Drum & Bass.

Experimental edged Techno / Electro related explorer excursions

Flaty & OL’s Serwed return to Huerco S’ West Mineral for their fourth album; straying from their usual bass abstractions into hi-gloss lab experiments with obvious appeal to disciples of Dopplereffekt, Vangelis or the 'Resident Evil'/'Silent Hill' OSTs.

Parisian rogue Qoso goes proper link-headed for TTT with a wicked future-primitive take on techno, bass and psycho-jukin’ styles

Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storms latest and most curious project

"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.

DDS catch enduringly absorbing sonic alchemist Jim O'Rourke at his knottiest and most ingenious in a wormholing suite of amorphous rhythm and psychedelic electronics - a massive RIYL Autechre, Roland Kayn, Bernard Parmegiani, NYZ, Keith Fullerton Whitman.

It is the Scottish producer's first solo output since the ethereal ‘Touch Absence’ in 2017. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his live A/V show internationally.

Music From Memory mine more gold from Michal Turtle’s archive of idiosyncratic home recordings made in Croydon between 1983-85. Combining vocals like a pre-echo of Dale Cornish, together with the dreamiest electro-jazz, balmy ambient dub and languid 4th world grooves, this one has breezy summer days and long warms nights written all over its blissed out face.

Quick on the heels of his outstanding debut 12”, Shifted’s Carrier deploys a knife-point brand of futuristic D&B pointillism on Perko’s Felt with results strongly tipped to fans of Nebuchadnezzar, T++, Rockwell, Alva Noto

Ploy's Unit 18– an EP dedicated to his record label and club night - Venue MOT Unit 18 in South London.

Finally, Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing new album - his first since 2001 - recorded in Berlin with Einstürzende Neubauten’s engineer/producer Boris Wilsdorf and an absolute must if you want a dose of highest grade industrial rhythmic noise or into anything from British Murder Boys to Test Department, Jeff Mills and Cabaret Voltaire.

Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!