Low Budget Aliens – Junk DNA
XPQ?03
100 lei
Mysterious “married outlaws” Low Budget Aliens firm up a killer sort of (I)DeMaterialised spin on drill, jungle, footwork and ruff bass sound for D. Tiffany and uon’s XPQ? label
‘Junk DNA’ spells out a dead crafty sound in orbit somewhere between early Actress, the ambient dance mutations of Ghostride The Drift and Skee Mask’s nervy rufige. It’s smudged regurgitations are pretty much bang on the pulse for contemporary music’s up-in-the-air flux of styles in a way that feels like it could go in any of ten directions at once. ‘CRASh LANDING’ kicks it off with a sort of radioactive rendering of drill, and ‘Hazardous Waste Pump’ turns up the gas on a slowfast jungle tip, teeing up a weightless flex shared wrth the centrifugal footworking dynamics of ’FE Ignot’ and what sounds like a vaporised 33EMYBW in ‘HOME SICK!’, while ‘BOWSERS HIGHT COURT’ leans into X-files breakcore, and the deadly one-two of ‘Service Mode 2’ and ‘LEVEL 1 2 3 4’ whip D&B and 150bpm beat science into wilder, experimental dancefloor thrills.
‘Junk DNA’ spells out a dead crafty sound in orbit somewhere between early Actress, the ambient dance mutations of Ghostride The Drift and Skee Mask’s nervy rufige. It’s smudged regurgitations are pretty much bang on the pulse for contemporary music’s up-in-the-air flux of styles in a way that feels like it could go in any of ten directions at once. ‘CRASh LANDING’ kicks it off with a sort of radioactive rendering of drill, and ‘Hazardous Waste Pump’ turns up the gas on a slowfast jungle tip, teeing up a weightless flex shared wrth the centrifugal footworking dynamics of ’FE Ignot’ and what sounds like a vaporised 33EMYBW in ‘HOME SICK!’, while ‘BOWSERS HIGHT COURT’ leans into X-files breakcore, and the deadly one-two of ‘Service Mode 2’ and ‘LEVEL 1 2 3 4’ whip D&B and 150bpm beat science into wilder, experimental dancefloor thrills.
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