In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.

The exotic-minded, noumenal loom of bluesman Mike Cooper and innovative multi-instrumentalist Pierre Bastien spins further, imaginative yarns of pseudo-ethnomusicology recorded on the Mid-Atlantic isle Tenerife.

Sunrise Beams Through Orbital Mist

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley

Exquisitely bittersweet free folk songcraft by Japanese improv legends Reiko & Tori Kudo of Mahar Shalal Hash Baz, adding to the illustrious roll call of A Colourful Storm’s recent, flawless run - RIYL Noise, Keiji Haino/Fushitsusha, Tenniscoats

Imerro' is a collection of song odes to both heat and desire, closely felt. Its title literally presented itself to Diab from a random page contained in a poem by Ezra Pound found in the book ‘The Imagist Poem’. Searching for its meaning, Diab discovered that Imerro is “a Greek word for ‘desire for, I desire you’, yet nothing could substantiate its truth.

Bogotá, Colombia’s Tomas Station ventures into purring, gently lysergic ambient dance trax under his new alias for the Second Circle of Music From Memory.

‘90s electronica pioneer Mike Paradinas makes a rare away-day from Planet Mu with the typically nostalgic allusions of this properly lovely side for Albert Salinas and Philip Sherburne’s Balmat label.

Invisible Switch is the perfect example of what Anderson can do with very little,

Glasgow’s excellent Somewhere Press return with their inaugural vinyl release, the debut album proper from Madelyn Byrd aka Slowfoam. Mining the seam between ecology and technology, Byrd offsets syrupy, dissociated electronics with sparse acoustic instrumentation and expressive field recordings, landing somewhere between Ulla, Marja Ahti and Andrew Pekler’s virtual exotica.

Torn Hawk’s 5th album ‘Time Is A Scam’ is a romantically sore, cinematic affair steeped in the synthy emo signposts of ‘80s movie soundtracks and underlined with the hypnotic quality of traditional Native American music and contemporary US psych and doom styles

In which Italian techno maverick Donato Dozzy reworks material from US synth sorcerer Chris 'Bee Mask' Madak, generating seven serenely ambient, meticulously detailed themes that hark back to a more innocent, wide-eyed era of armchair exploration.

Burial spoils us with his 2nd release of ’22, leaving the beats for dust and dialling up the ASMR ambient feels to tongue-tip, piloerect effect for lovers and lonely ravers.

Distant Images is D.K.s fourth release on Antinote and we can say quite safely that Dang Khoa Chau fueled a few identifiable obsessions over the years for those familiar with his work, it probably wont feel like uncharted territory when they’ll hear a somehow well-known guitar in the background of the title-track.

Seasons come and go, so does the moods and modal alternations on Klofink's debut album that we humbly present to the world through this dear label of ours.

REPRESS! One of Larry Heards most under-rated albums finally remastered and available as full vinyl release for the first time!

Nick León's Future Times debut slots into the label's club library like a quarter in a pinball table. Time-distorted hard-swung grooves that stir León's customary polyrhythms into house and techno architectures that point directly at the stars.

Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artefact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers.

Music From Memory’s latest release sees the reissue of the lost Art record ‘Marea / Tide: Sound and Image Research Volume One’ by Italian Wave duo Alessandro Pizzin and Piergiuseppe Ciranna aka ‘Ruins’.

Carmen Villain's score is a suspension of time where her music is seeking a new form of slow-moving minimalism.

3 remixes and 1 new track here.

Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts