Flora Yin Wong returns with a stunning, highly evocative second album for Modern Love, manifesting her instrumental storytelling in a syncretic bind of supernatural themes. Where her debut album ‘Holy Palm’ catalogued exotic personal and spiritual travels captured over a 6 year period, ‘Cold R...

Bogotá, Colombia’s Tomas Station ventures into purring, gently lysergic ambient dance trax under his new alias for the Second Circle of Music From Memory.

Space 1.8 is Nala Sinephro’s debut album; each contributing piece is part of a connected, collaborative and deeply personal body of music

Nick León's Future Times debut slots into the label's club library like a quarter in a pinball table. Time-distorted hard-swung grooves that stir León's customary polyrhythms into house and techno architectures that point directly at the stars.

Carsten Nicolai's soundtrack to Marc Weise's award-winning documentary about the Ecuadorian opposition to Chinese investment is a solemn affair, led by grumbly, manicured drones, booming subs and Nicolai's patented glassy sonic illusions.

Best known for his work on L.I.E.S and with Steve Summers as Confused House

Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storms latest and most curious project

The natural talent of young producer Pergola will ring in your ears at first listen. He shows a great mastery in blending dancefloor basslines, album oriented electronica, hypnotizing melodies, emotional charge and techno breakdowns

Midori Takada's "lost" 1999 solo album has been remixed by Takada herself and cut to vinyl for the very first time. If you've only come across "Through the Looking Glass", this one shines further light on her story, bolstering her usual percussion with a side-long team-up with Chinese erhu player Jiang Jian Hua.

‘90s electronica pioneer Mike Paradinas makes a rare away-day from Planet Mu with the typically nostalgic allusions of this properly lovely side for Albert Salinas and Philip Sherburne’s Balmat label.

Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artefact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers.

The exotic-minded, noumenal loom of bluesman Mike Cooper and innovative multi-instrumentalist Pierre Bastien spins further, imaginative yarns of pseudo-ethnomusicology recorded on the Mid-Atlantic isle Tenerife.

Dâm Funk switches it up in Garrett mode for a 3rd helping of Californian synth goodness on MFM

Torn Hawk’s 5th album ‘Time Is A Scam’ is a romantically sore, cinematic affair steeped in the synthy emo signposts of ‘80s movie soundtracks and underlined with the hypnotic quality of traditional Native American music and contemporary US psych and doom styles

Amsterdam’s Anton Pieete ups his house anchor and sets sail for Balearic waters on raft of balmy ambient for his home city’s Wake Dream label

STROOM 〰 serve a compilation of dreamlike works by Brussels-based collective Pablo’s Eye drawn from their catalogue circa the early-mid ‘90s. There’s some lush passages to be found...

We are thrilled to announce the re-release of Rico Toto’s 1993 CD recording Fwa Épi Sajès.

Originally released in 1996 on Peter Gabriel's Real World imprint, 'ABoneCroneDrone' is the third and final part of Shiela Chandra's trilogy of vocal-led albums, and blends Indian raga techniques with English folk melodies.

Flaty & OL’s Serwed return to Huerco S’ West Mineral for their fourth album; straying from their usual bass abstractions into hi-gloss lab experiments with obvious appeal to disciples of Dopplereffekt, Vangelis or the 'Resident Evil'/'Silent Hill' OSTs.

Finally - a completely remastered reissue of the original Japanese version of Ryuichi Sakamoto's 1984 hybrid synth-pop album 'Ongaku Zukan'. This one's for the city pop/'Thousand Knives' fans, properly eccentric smoove jazz, new age, dub and cold wave revisions sculpted in Sakamoto's instantly-recognisable image.

Good Block’s third release of original material, 'Naiad / Dryad' is an exploration into the deeper side of ambient dub, which sees a different ethos and approach to production, with all four tracks individually dubbed live on the console, evoking a deep listening experience.

Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts