Bogotá, Colombia’s Tomas Station ventures into purring, gently lysergic ambient dance trax under his new alias for the Second Circle of Music From Memory.

Lisa Lerkenfeldt returns to Shelter Press with a hazed memory experiment that uses enhanced playback artefacts, acoustic feedback, and looped piano, cello and tape to build a network of subterranean mood tunnels on a sensationally blurred session that recalls the loop-finding wonder of Jan Jelinek, albeit in a more low-lit and submerged configuration.

Single' isn't just a reissue of Pub's similarly-titled 2002 set, it properly rounds up the Glaswegian dub techno reductionist's first three 12"s and adds a couple of vinyl exclusives. Long-form blunted dancefloor haziness never sounded so lovely: imagine Various Artists/T++, The Black Dog, BoC and Manuel Göttsching locked in a room wth some synths, drum machines and echo boxes.

Remember that insane 110 track album from Voice Actor, our number 2 Album of The Year 2022 and one of the most impressive debuts of recent years? We've been asked constantly if there was gonna be a physical edition and - finally - here it is, a 16 track version compiled by Voice Actor and Stroom, complete with updated versions of familiar tracks plus 3 brand new songs. If you've no clue what/who we're talking about and yr into anything from Hype Williams to Broadcast, Dean Blunt to Donna Regina, Klein to Mica Levi, just do yourselves a huge favour and cop this now, thank us later.

Carsten Nicolai's soundtrack to Marc Weise's award-winning documentary about the Ecuadorian opposition to Chinese investment is a solemn affair, led by grumbly, manicured drones, booming subs and Nicolai's patented glassy sonic illusions.

Wilson Tanner’s 69 returns to Australian soil for a new season. A uniquely provincial take on ambient music

NOTON IS PLEASED TO ANNOUNCE THE RELEASE OF SUBTERRANEANS, A COLLABORATIVE EP FEATURING ALVA NOTO, DEPECHE MODE’S MARTIN L. GORE AND WILLIAM BASINSKI’S COVER OF DAVID BOWIE’S HOMONYMOUS SONG.

Finally - a completely remastered reissue of the original Japanese version of Ryuichi Sakamoto's 1984 hybrid synth-pop album 'Ongaku Zukan'. This one's for the city pop/'Thousand Knives' fans, properly eccentric smoove jazz, new age, dub and cold wave revisions sculpted in Sakamoto's instantly-recognisable image.

The natural talent of young producer Pergola will ring in your ears at first listen. He shows a great mastery in blending dancefloor basslines, album oriented electronica, hypnotizing melodies, emotional charge and techno breakdowns

Proper darkside worries in the dance from ‘90s junglist De Babalon and his Berlin-based spar Mark ov Ostgut Ton and A Colourful Storm

REPRESS! One of Larry Heards most under-rated albums finally remastered and available as full vinyl release for the first time!

Hame presents ‘Almost Home’. Deeply inspired by his life story.

Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum

Eight individual projects with various international origins, these two ep’s contain reworked and remixed material of Takuya Sogimoto’s early work that has been released on acido in 2020 and 2022, as well as some unreleased trax from 1994/95. Packaged in two editions of 300 copies, released separately.

Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artefact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers.

On "Intertextural", Manuel Tur delves into more cinematic ambient and trip-hop realms, reminiscent of short interludes from 1990s classic electronica albums.

"Master of ambient spaces and far out places, long-time Finnish producer Sasu Ripatti (aka Vladislav Delay) blesses us once again with another release, this from his 'Visa' period of unreleased tracks.

Burial spoils us with his 2nd release of ’22, leaving the beats for dust and dialling up the ASMR ambient feels to tongue-tip, piloerect effect for lovers and lonely ravers.

Music From Memory are excited to introduce another new group for 2021, this time presenting the self-titled debut album from Loveshadow.

Bright Future aka Gilb R, Satoshi Yamamura and Abel Nagengast with one of their last studio sessions at the Red Light Complex in Amsterdam.

“Subtle, playful. Softly spoken yet speaks volumes. This is powerful stuff! The absence of music like this is what made me start producing…” —Jackson Bailey/Tapes

Compilation, previously unreleased work from Finis Africae together with the reissue of their first album "Prima Travesía". A deep trip of the roots of organic ambient with the seminal Spanish band.

‘90s electronica pioneer Mike Paradinas makes a rare away-day from Planet Mu with the typically nostalgic allusions of this properly lovely side for Albert Salinas and Philip Sherburne’s Balmat label.

Max Loderbauer’s career in music spans the last 3 decades, yet he’s still managed to keep his listeners hungry by releasing only 3 solo albums to date.

Ahead of the Meakusma Festival 2019 Don’t DJ and NWAQ did an artist residency developing new music together from scratch.

"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.

Jeremiah Chiu flexes his cables at Los Angeles' Vintage Synthesizer Museum on 'In Electric Time', using a mind-boggling arsenal of gear to evoke some of early electronic music's most enduring staples. RIYL Raymond Scott, the Radiophonic Workshop, Mort Garson.

L.I.E.S bossman Ron Morelli returns with his fourth solo album and a shift of emphasis away from greyscale industrial to more introspective landscapes investigating atavistic ambient themes - highly recommended if yr into Tod Dockstader, Laurie Spiegel, Chris Marker’s ‘La Jetée’ and Jeff Mills’ recent astral excursions.

This album was composed by 3.11 for the 2021 edition of Strøm festival in Copenhagen, Denmark.

A gorgeous rumination on life, death and dancing from Ivan Mašić’s Ex Ponto, lodging a richly memorable debut on Vlad Ivkovic’s Offen Music

Space 1.8 is Nala Sinephro’s debut album; each contributing piece is part of a connected, collaborative and deeply personal body of music

Ben Bondy dives deep into the aether on this latest full length for Good Morning Tapes, folding blissed chorus-pedal shimmers into smudged dreampop vapours, a bit like like how we’d imagine claire rousay if she were releasing on Chain Reaction.

With hopeless optimism, LMM continues the search for meaning and identity in his perpetual mystery, a self annihilating whodunit...

In which Italian techno maverick Donato Dozzy reworks material from US synth sorcerer Chris 'Bee Mask' Madak, generating seven serenely ambient, meticulously detailed themes that hark back to a more innocent, wide-eyed era of armchair exploration.

4 diverse neo Detroit techno

Milquetoast ‘90s ambient styles from Jon Tye & Peter Smith’s MLO, a big one for the banana-skin puffers. Shoes off, please, if you don’t mind - RIYL Cluster & Eno, Robert Haigh, ambient CDs with screensaver artwork

Experiences Limited, now 3XL, with a sick new LP from Exael on a highly atmospheric ambient jungle tip, deploying 30 mins of percussive spasms seeping into smoked-out zoners - highly tipped if yr into anything from Lee Gamble to Malibu.

Beatrice Dillon meets Kassem Mosse for two higher register adventures on The Trilogy Tapes following their joint tape for Ominira in 2016 and a live collaboration at Tate Liverpool.

Midori Takada's "lost" 1999 solo album has been remixed by Takada herself and cut to vinyl for the very first time. If you've only come across "Through the Looking Glass", this one shines further light on her story, bolstering her usual percussion with a side-long team-up with Chinese erhu player Jiang Jian Hua.

On his fifth solo album, Jake Muir dissolves X-rated gay sleaze flick soundtracks into a shimmering suite of subdued orchestral flourishes and surreal cosmic psychedelia, a real heady trip that comes highly recommended if you’re into Pinkcourtesyphone, Perila, Andrew Pekler, Brian Eno.