Peder Mannerfelt – And The Band Played On
VOAM006
140 lei
Peder heads for the iceberg!
Peder Mannerfelt rarely fails to bring the goods, and his latest missive for VOAM is as impressive as expected. Beginning with a titanic slab of percussion-laden Afro-techno (the frankly brilliant ‘Year of the Rats’), the Stockholm-based artist charges between sweaty, loose-limbed industrial techno (the charged-up, Test Dept-on-steroids heaviness of ‘Toms For Life’; buzzing, child-scaring insanity (the fuzzy intensity of ‘Squarewave to Heaven’); dystopian ambient soundscapes (the almost cinematic creepiness of ‘The Hudson Lament’); and skittish, sub-heavy, mind-altering electronica (bizarre-but-brilliant closing cut ‘Sail On Silverboy’). In other words, it’s another essential selection of clandestine club cuts and strange, sofa-bound treats from one of Sweden’s most reliable producers.
Peder Mannerfelt rarely fails to bring the goods, and his latest missive for VOAM is as impressive as expected. Beginning with a titanic slab of percussion-laden Afro-techno (the frankly brilliant ‘Year of the Rats’), the Stockholm-based artist charges between sweaty, loose-limbed industrial techno (the charged-up, Test Dept-on-steroids heaviness of ‘Toms For Life’; buzzing, child-scaring insanity (the fuzzy intensity of ‘Squarewave to Heaven’); dystopian ambient soundscapes (the almost cinematic creepiness of ‘The Hudson Lament’); and skittish, sub-heavy, mind-altering electronica (bizarre-but-brilliant closing cut ‘Sail On Silverboy’). In other words, it’s another essential selection of clandestine club cuts and strange, sofa-bound treats from one of Sweden’s most reliable producers.
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BAR TON is a place where both musical afficionados and rookies are welcome.
Other people are also allowed in.
Other people are also allowed in.