Beatrice Dillon meets Kassem Mosse for two higher register adventures on The Trilogy Tapes following their joint tape for Ominira in 2016 and a live collaboration at Tate Liverpool.

In a very smart move designed to simultaneously demonstrate their taste for extreme, puristic sonics and sidestep any preconceptions you may have justifiably built up from their respective catalogues, they’ve completely jettisoned the beat here in favour of two tightrope-walking pieces following glistening, highly strung partials over cavernous, swelling beds of subbass oscillator roil. The effect is far closer to Kevin Drumm on a mad one or with a vertiginousness that will likely induce panic attacks in anyone who doesn’t like air travel or heights, ‘cause when they really get going it feels like the world has just been pulled from under your feet and, well, you’re fucking flying pal. This is one of those TTT 12”s that’s sure to slice neeks down the middle. For our 2p, it needs to be heard on the loudest system you can lay your paws on.