„Marriages are made in heaven – so is thunder and lightening.“

Following in the wake of their second album 'Meant Like This', Rezzett drop a follow up EP on The Trilogy Tapes named 'Boshly' - packing four Helter Skelter tipped tracks further exploring their adoration for UK Rave, Hardcore and Drum & Bass.

Opéra Mort - collaborators of the late, great Ghédalia Tazartès in Reines D’Angleterre - float their first new suite of roving, hallucinatory electro-acoustic works in 4 years on a return to Brittany’s Editions Gravats label.

"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.

Landing in 1998 between the endlessly imitated Chiastic Slide (1996) and the deceptively impenetrable ‘Confield’ (2001), LP5 and the following year’s EP7 feature some of Ae’s most effortlessly fucked rhythm mechanics; less abstract than much of what came after it, more complex and interwoven than what preceded it - just end-to-end brilliance.

Delphine Dora is a prolific composer, improviser and musician who has released on a plethora of labels including Recital, Morc, Sloow Tapes, Feeding Tube, Okraïna and more, and ‘Le Grand Passage’ is her Modern Love debut, a stunning set of songs for piano and voice, recorded in one take without overdubs or edits.

"Like the other residents, Martin didn't know how long he had been on the mountain

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“.

Alabaster DePlume collaborator Ruth Goller engineers a startlingly unique sound on her second album, layering diaphanous soprano vocals over prismatic, instrumental backdrops and avant ideas into pop moulds. RIYL Julia Holter, Jenny Hval, Julianna Barwick.

Having flown in from Tbilisi, Anushka Chkheidze found herself completely alone inside the empty and as yet unoccupied University of Basel's Biozentrum

TTT on a roll, this time unleashing a strong 4-track EP from Lakker's Eomac.

The experimental composer’s new album is a shapeshifting stream of crackling electronics, wordless singing, and gasping breaths. It’s a stark, solitary listen that radiates an unsettling beauty.