Quick on the heels of his outstanding debut 12”, Shifted’s Carrier deploys a knife-point brand of futuristic D&B pointillism on Perko’s Felt with results strongly tipped to fans of Nebuchadnezzar, T++, Rockwell, Alva Noto

Finally, Regis lets his rhythmic noise opus out into the world, a bruising and hauntingly absorbing new album - his first since 2001 - recorded in Berlin with Einstürzende Neubauten’s engineer/producer Boris Wilsdorf and an absolute must if you want a dose of highest grade industrial rhythmic noise or into anything from British Murder Boys to Test Department, Jeff Mills and Cabaret Voltaire.

The first new solo Shackleton album since 2021, ‘The Scandal of Time’ is a stunning, immaculately produced mix of ghosted German folk songs with piercing subs, psychedelic trip hop signatures and luxurious instrumentation, for our money the strongest Shackleton album to date and perhaps his most memorable work since ‘Blood on My Hands’ laid us to waste almost two decades ago.

Seasons come and go, so does the moods and modal alternations on Klofink's debut album that we humbly present to the world through this dear label of ours.

Rhythm clusters and constellations.

‘90s electronica pioneer Mike Paradinas makes a rare away-day from Planet Mu with the typically nostalgic allusions of this properly lovely side for Albert Salinas and Philip Sherburne’s Balmat label.

The Athenian producer Aggelos Baltas alias Anatolian Weapons captures on the album Earth the feeling of an optimistic future that grows on the soil of the sweet bitterness of the present and the past.

Flaty & OL’s Serwed return to Huerco S’ West Mineral for their fourth album; straying from their usual bass abstractions into hi-gloss lab experiments with obvious appeal to disciples of Dopplereffekt, Vangelis or the 'Resident Evil'/'Silent Hill' OSTs.

Following in the wake of their second album 'Meant Like This', Rezzett drop a follow up EP on The Trilogy Tapes named 'Boshly' - packing four Helter Skelter tipped tracks further exploring their adoration for UK Rave, Hardcore and Drum & Bass.

For the first time ever, Jamal Moss introduces his own vocals and reckless higher tempos to the slaying traxx of Acid Taken Over, a spanking heavy double pack of aces drawn from his Acid Attacks [2017] tape release.

Music From Memory mine more gold from Michal Turtle’s archive of idiosyncratic home recordings made in Croydon between 1983-85. Combining vocals like a pre-echo of Dale Cornish, together with the dreamiest electro-jazz, balmy ambient dub and languid 4th world grooves, this one has breezy summer days and long warms nights written all over its blissed out face.

Roots run deep on ’Candid’, the first LP by Munich-based producer Polygonia and drummer Simon Popp