Carmen Villain's score is a suspension of time where her music is seeking a new form of slow-moving minimalism.

Two masterful tracks taken from SOPHIE’s album Product, reissued on Numbers.

Exciting tribal, ambient and experimental sonorities brought back in a newly remastered release.

Burial spoils us with his 2nd release of ’22, leaving the beats for dust and dialling up the ASMR ambient feels to tongue-tip, piloerect effect for lovers and lonely ravers.

Mindblowing electronic productions and songcraft from Africa-via-Paris circa 1975-1982!...

(2023 Repress) Young Marco mines deep into the 90s era Italian house underground and strikes absolute gold... Part 2 of 2..

Our planet... IS NEXT!? Yes, this is in fact the case, at least according to one Stockholm-dwelling, 30-something (wishes-he-was-a) failed pop star, real name Arvid Wretman.

THANKYOU brings it back again remastered for 12” format with a new edit from Castro that cuts off some of the harder-to-digest vocals along with a more to the point “bonus beats” as well.

Lee Gamble considers the impact of vocals and hooks on 'Models', using emerging technologies and machine learning to fashion uncanny pop music that links Liz Fraser's mysterious lingual tics with rave's disembodied diva loops and the hoarse rasp of trip-hop. For our money it's his most satisfying full-length to date, an earworm-addled/emo pop record that's as strange, poignant and haunted as his breakout 'Diversions 1994-1996'.

The harmony of poetry, sound, and texture cuts through your brain fog like a wet diamond.

One of the past decade’s most charming, lowkey influential compilations, brimming with folk-pop, DIY new wave and art music micro presses 1961-1991 by Bruce Langhorne, Linda Smith, Nora Guthrie and many many more weirdos.

Through these four tracks Moore creates a world with simplistic stripped down beauty, often using one synth and a drum machine to effectively construct alternate realities, as heard on the opener Broken Kills.

Smoove '80s-inspired electronic pop bizz from this Belgian duo. Basically sounds like slowed down versions of Alphaville's 'Forever Young' produced by a stoned Phil Collins ("Face Value" era), and that's no bad thing.

Following in the wake of their second album 'Meant Like This', Rezzett drop a follow up EP on The Trilogy Tapes named 'Boshly' - packing four Helter Skelter tipped tracks further exploring their adoration for UK Rave, Hardcore and Drum & Bass.

Lolina's sixth album is a short 'n sweet swoon of tropical pop, jazz fusion, CDJ-mangled easy listening and psychedelic swingbeat, fronted by her surreal murmurs and perky poetic abstractions. RIYL Mica Levi, Smerz, Leila, 'Around The World In A Day'-era Prince.

Original version of “electric world” and “727” are electric jazzy fusion disco and main track on this ep is extended version of “electric world”,it’s very playful 80’s freestyle boogie track.

Years in the making, naemi’s ambitious, sprawling debut album for 3XL features contributions from Erika de Casier, Ulla, Huerco S, Ben Bondy, Florian TM Zeisig, NAP and label boss Shy, plus many others, on a gorgeously brooding double album braiding heart-liquifying dreampop guitars with weightless clouds of sublime ambience. A pensive and poetic celebration of love and friendship, it’s the most beautiful, vital music released by 3XL to date.

fantastic combi Jimi Tenor & DJ Sotofett!

Teneremante' is a typically colourful and camp Italian translation of disco, whose over-the-top excellence and bold lead vocal from Angela have an endearing 'easy listening era singer does disco' vibe.

Soundclash or romance?