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Burnt Friedman: Masque
RQ-1
70 lei
 
The production and Zen-mischief ego-death of the groove take you somewhere nobody else can.

Each track is built around a single beat-loop, embellished with very light dub processing. “Masque” is the more understated of the two, its hi-hats ultra-crisp and lilting, its kick drum sounding sharply at the start of the bar. Scraps of chord and melody are fleetingly visible in the background, like wisps of cloud against a clear sky. “Peluche” is a bolder take on a similar idea. A 5/4 time signature enhances the feeling of balanced asymmetry, and the beat is pitted with all kinds of live-sounding percussion hits. Every couple of minutes, puffs of reverb coalesce into a dense fog, and in the second half the whole thing picks up a loping, implacable pace. It’s a strange groove, but in Friedman’s hands it feels like the most natural thing in the world.
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BAR TON is a place where both musical afficionados and rookies are welcome.
Other people are also allowed in.
BAR TON is a place where both musical afficionados and rookies are welcome.
Other people are also allowed in.