Wireless feels like the culmination as well as denouement of this important phase in Profrock’s career.

The hardest lad in Hessle Audio’s alt. boy band trio with BUFO and Pearson Sound, Pangaea weighs in 4 tracks of tuff garage-techno, hard groove and breakbeat-to-happy hardcore rave which, together with Part 1, makes for a precision-tooled new album.

Rhythm clusters and constellations.

Detroit producer Kenny Larkin put out a new album on Carl Craig’s Planet E label. Keys, Strings and Tamborines is Larkin’s first album since Funkfaker (2004), and it is his most dancefloor oriented album to date

On "Intertextural", Manuel Tur delves into more cinematic ambient and trip-hop realms, reminiscent of short interludes from 1990s classic electronica albums.

Gassed on nature, BXP unfurls his more sensitive, elemental ambient side, then stretches out with two slow treks working shades away from Rainforest Spiritual Enslavement

Don of the moment, Nick León fuses raptor house’s Eurohouse influence on a pair of zingers b/w strong remixes by Pearson Sound and Doctor Jeep

Outer rim junkyard Elektro.

Beta Librae returns to Incienso with her third album, “DAYSTAR”. Whereas her previous album for the label, “Sanguine Bond” was an altogether more heady affair - “DAYSTAR”, like the name implies, is a bright and bold waypoint in the ever expanding Beta Librae universe.

:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track.

On his first outing of 2021 Call Super dances around glitchy electronic, Detroit techno and garage in his pried and nimble style

90s techno stuff

Mysterious “married outlaws” Low Budget Aliens firm up a killer sort of (I)DeMaterialised spin on drill, jungle, footwork and ruff bass sound for D. Tiffany and uon’s XPQ? label

Foreshadowed by a tall tale about a week house-sitting on a possessed farm in Wallonia, Belgium, ‘Party Volume 1’ finds Awanto 3 turning his paranormal frisson into three cuts of languid deep house disco laced with a slinky latin suss. ‘The Lime King’ limbers up with a subtly electrified sla...

Killer exceptional House cuts

A selection of 3 tracks from Tom Chasteens solo work throughout 3 different EP s with the eclectic west coast Exist Dance label in the late 90s.

Shawn O'Sullivan (Civil Duty, Led Er Est, 400PPM) returns to L.I.E.S. with a grip of grubby, grinding machine workouts. Up top slows his roll to a 100bpm industro-bashment bogle on three cuts, 'Drawing Blood From A Stone', 'Ask The Boss' and 'Basilisk'. Dung below, he rides with the nasty acid wine of 'You'll Get Used To It' plus the steam-powered chugger, 'An Unbreakable Bubble' and the druggy basement tilt of 'Punish or be Damned'.

Nick León's Future Times debut slots into the label's club library like a quarter in a pinball table. Time-distorted hard-swung grooves that stir León's customary polyrhythms into house and techno architectures that point directly at the stars.

Jurango joins the re:lax family for their second outing. Enchanting yet explosive,

Rave meets Detroit, tracks made for the club.

Tom Hang is the solo electronic work of Lobster Theremin label owner Jimmy Asquith

Vlad & Max get down on a chewy session bucking a Buchla synth into wilder styles on improv throw-downs recorded 2013-2014

Andres Loo from Tallin, Estonia.